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William Blake, Behemoth and Leviathan, watercolour from his Illustrations of the Book of Job.

Chapter 41 of the Book of Job: God speaks to Job from the whirlwind 

41:1 Canst thou draw out leviathan with an hook? or his tongue with a cord which thou lettest down?

41:2 Canst thou put an hook into his nose? or bore his jaw through with a thorn?

41:3 Will he make many supplications unto thee? will he speak soft words unto thee?

41:4 Will he make a covenant with thee? wilt thou take him for a servant for ever?

41:5 Wilt thou play with him as with a bird? or wilt thou bind him for thy maidens?

41:6 Shall the companions make a banquet of him? shall they part him among the merchants?

41:7 Canst thou fill his skin with barbed irons? or his head with fish spears?

41:8 Lay thine hand upon him, remember the battle, do no more.

41:9 Behold, the hope of him is in vain: shall not one be cast down even at the sight of him?

41:10 None is so fierce that dare stir him up: who then is able to stand before me?

41:11 Who hath prevented me, that I should repay him? whatsoever is under the whole heaven is mine.

41:12 I will not conceal his parts, nor his power, nor his comely proportion.

41:13 Who can discover the face of his garment? or who can come to him with his double bridle?

41:14 Who can open the doors of his face? his teeth are terrible round about.

41:15 His scales are his pride, shut up together as with a close seal.

41:16 One is so near to another, that no air can come between them.

41:17 They are joined one to another, they stick together, that they cannot be sundered.

41:18 By his neesings a light doth shine, and his eyes are like the eyelids of the morning.

41:19 Out of his mouth go burning lamps, and sparks of fire leap out.

41:20 Out of his nostrils goeth smoke, as out of a seething pot or caldron.

41:21 His breath kindleth coals, and a flame goeth out of his mouth.

41:22 In his neck remaineth strength, and sorrow is turned into joy before him.

41:23 The flakes of his flesh are joined together: they are firm in themselves; they cannot be moved.

41:24 His heart is as firm as a stone; yea, as hard as a piece of the nether millstone.

41:25 When he raiseth up himself, the mighty are afraid: by reason of breakings they purify themselves.

41:26 The sword of him that layeth at him cannot hold: the spear, the dart, nor the habergeon.

41:27 He esteemeth iron as straw, and brass as rotten wood.

41:28 The arrow cannot make him flee: slingstones are turned with him into stubble.

41:29 Darts are counted as stubble: he laugheth at the shaking of a spear.

41:30 Sharp stones are under him: he spreadeth sharp pointed things upon the mire.

41:31 He maketh the deep to boil like a pot: he maketh the sea like a pot of ointment.

41:32 He maketh a path to shine after him; one would think the deep to be hoary.

41:33 Upon earth there is not his like, who is made without fear.

41:34 He beholdeth all high things: he is a king over all the children of pride.

Leviathan Symbolism:

“In the Bible we have a sea-monster usually named leviathan, who is described as the enemy of the Messiah, and whom the Messiah is destined to kill in the “day of the Lord.” The leviathan is the source of social sterility, for it is identified with Egypt and Babylon, the oppressors of Israel, and is described in the Book of  Job as “king over all the children of pride.” It also seems closely associated with the natural sterility of the fallen world, with the blasted world of struggle and poverty and disease into which Job is hurled by Satan and Adam by the serpent in Eden. In the Book of Job God’s revelation to Job consists largely of descriptions of the leviathan and a slightly less sinister land cousin named behemoth. These monsters thus apparently represent the fallen order of nature over which Satan has some control. (I am trying to make sense of the meaning of the Book of Job as we now have it, on the assumption that whoever was responsible for its present version had some reason for producing that version. Guesswork about what the poem may originally have been or meant is useless, as it is only the version we know that has had any influence on our literature.) In the Book of Revelation the leviathan, Satan, and the Edenic serpent are all identified. This identification is the basis for an elaborate dragon-killing metaphor in Christian symbolism in which the hero is Christ (often represented in art standing on a prostrate monster), the dragon Satan, the impotent old king Adam, whose son Christ becomes, and the rescued bride the Church. “ (Northrop Frye, Anatomy of Criticism 188)

“Moby-Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the ‘king over all the children of pride’ (41:34), of whom Satan himself is merely an instrument.” (Frye, Words with Power, 285)

Thus William Blake identified Leviathan and Behemoth with the tyranny and warfare of his own time, embodied in the figures of the prime minister William Pitt the Younger and Admiral Horatio Nelson, guiding Behemoth and Leviathan:

William Blake, The Spiritual Form of Pitt Guiding Behemoth,  circa 1805

William Blake, The Spiritual Form of Nelson Guiding Leviathan, circa 1805-9

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